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ARTWORKS ON LOAN

The newly relocated Victor Pasmore Gallery, from the gunpowder polverista on the St James Counterguard to a seventeenth-century palazzo on St Paul Street, in Valletta, comes with several exciting new possibilities. While the upper floor will be dedicated to a permanent display of a collection of works by one of Britain’s foremost abstract artists, Victor Pasmore (1908–1998), the second floor will be transformed into a gallery for successive temporary displays focused on Maltese twentieth-century art, on loan from public, and especially private collections. Exploring the various rooms of the gallery, visitors are afforded the possibility to discover the several facets, complexities, ambiguities and, at times, contradictions, of twentieth-century art as expressed in the visual practice of some key players of the Maltese modern art scene.   

[detail] Bozzetto for Triton Fountain, undated, unsigned, clay, 35 x 26 x 31cm, Private Collection.
Photo by Lisa Attard

This preliminary bozzetto captures the initial vision Vincent Apap (1909-2003) had for the Triton Fountain in Valletta.

The Triton’s Fountain (Il-Funtana tat-Tritoni) sits on a former outwork bastion site and is an outstanding example of Maltese Modernist architecture. In 1953, the Ministry for Public Works and Reconstruction launched a competition to design a fountain to replace the bastion. Vincent Apap’s winning proposal, Triton, was designed in collaboration with designer and draughtsman Victor Anastasi, who headed the technical aspects of the fountain.
The Triton Fountain took seven years to complete and was officially turned on for the first activated on the 16th of May 1959.

[detail] Bozzetto for Triton Fountain, Vincent Apap
Photos by Lisa Attard
Horse, Victor Diacono, undated, unsigned, Metal, 61 x 25.5 x 25.5cm, Private Collection
Photo by Lisa Attard

Victor Diacono (1915-2009) was a Maltese sculptor, caricaturist and painter who primarily received recognition for his distinctive figurative sculptures. 

Stylistically, Diacono’s sculptures convey an atmospheric and poetic dimension, which together with the organic selective concealment of figures, defines Diacono’s sculptural output.

[detail] Bozzetto for Triton Fountain, undated, unsigned, clay, 35 x 26 x 31cm, Private Collection.
Photo by Lisa Attard

Josef Kalleya was an influential figure throughout the history of Maltese Modern Art. His artistic journey was a long and prolific one, and a stand-alone example of a consistent and ceaseless idealistic vision.

He was co-founder of the Modern Art Circle (a.k.a. Modern Art Group and eventually Atelier ’56) an instrumental group in the promotion of Modern Art in Malta.

Cairo Desert Heat (v.2-v.1), Isabelle Borg, 1992, oil and mixed media on canvas, 152 x 152 cm, Private Collection

Isabelle Borg (1959–2010) was a British-Maltese painter who studied painting at the Camberwell College of Arts in London and taught art at the University of Malta. She spent periods of her life in Ireland, Berlin and Malta, where she established the Moviment Mara Maltija (Maltese Women’s Movement). 

Cairo Desert Heat (V2–V1) is a two-sided abstract painting completed during a phase of geometric and abstract exploration. It is reminiscent of a trip to Cairo she embarked on in 1991. Underneath the surface of this dual painting lies a muted male figure, believed to be a former partner. Borg’s decision to erase and obscure him adds a muted layer of tension, using art as a space of transformation, memory and emotional resolution.

Cairo Desert Heat offers an examination of Borg’s inner world, ingrained in experience – the artist left the interpretation up to viewers to determine.